Sharjah Art Foundation Announces Spring 2018 Programme
The Foundation’s Annual March Meeting to Explore Issues of Resistance in Contemporary Art
Five Solo Exhibitions of Work by Latif Al Ani, Anna Boghiguian, Mohammed Ahmed Ibrahim, Mona Saudi and Zineb Sedira Will Span Generations and Genres
Launch of Air Arabia Curator-in-Residence Programme with Group Exhibition
Sharjah Art Foundation announced its 2018 spring programme featuring five career-spanning surveys of Latif Al Ani, Anna Boghiguian, Mohammed Ahmed Ibrahim, Mona Saudi and Zineb Sedira. Major spring initiatives also include March Meeting 2018, an annual convening of international and local thought-leaders and arts practitioners who explore topical issues in contemporary art through a programme of talks and performances open to all; as well as a new curator-in-residence programme organised in collaboration with Air Arabia, which will result in a group exhibition of artists and cultural producers. The robust spring programming continues the foundation’s commitment to providing an international platform for the exchange of ideas.
“Sharjah Art Foundation’s spring exhibitions spotlight five artists from across our region who have made pioneering contributions to contemporary art and whose practices address a broad range of timely concerns,” said Hoor Al Qasimi, President and Director of Sharjah Art Foundation. “Through these solo presentations, we aim to provide new insights on their practices and on the issues that have influenced contemporary art practitioners for decades. With the March Meeting presented concurrently this spring, as well as the launch of our curatorial residency in collaboration with Air Arabia, we look forward to welcoming local and international visitors, artists and cultural producers alike to reflect on the transformational role of art and its influence on today’s most pressing issues.”
The March Meeting and all exhibitions are free and open to the public.
March Meeting 2018
17–19 March 2018
Presented from 17 to 19 March, March Meeting 2018 explores issues of resistance through consideration of organising as a primary act of and condition for artistic and cultural production. Presentations, panels, performances and conversations will examine how practices in art, writing, film, music and architecture impact engagement with instances of resistance and encourage a reassessment of art’s relationship to notions of authorship, agency and the public.
In addition to the programme of talks, panel discussions and performances, the 2018 edition will also include an exhibition of works from the Sharjah Art Foundation Collection that expands the meeting’s key ideas. Among them are installations and other works—including co-commissions by the foundation—by John Akomfrah, Basma Alsharif, Halil Altindere, Bahar Behbahani, Hazem Harb, Gulnara Kasmalieva and Muratbek Djumaliev, Almagul Menlibayeva, Naeem Mohaiemen and Raeda Saadeh. The foundation will also present Wael Shawky’s performance The Song of Roland (2017)—also co-commissioned by the foundation—which debuted internationally in 2017.
The foundation’s annual call for participants to present at March Meeting 2018 will remain open through 10 January 2018 at sharjahart.org. To apply as a participant, visit our website.
For more information and to register to attend, contact firstname.lastname@example.org.
Applications for the Production Programme’s 2018 Open Call will remain open through 15 January 2018, with selections announced on 17 March 2018. For more information and to apply, visit our website.
21 February–21 May 2018
Mona Saudi (b. 1945, Amman, Jordan) is widely recognised for her stone sculptures that explore the relationship between natural material and modern form.
Spanning five decades of the artist’s work, this retrospective will provide rare insight into the evolution of Saudi’s aesthetic and intellectual trajectory. Often sourcing material from her surrounding region, her sculptures incorporate many different types and colours of stone, including white and green marbles, pink limestone and black diorite, while her works on paper draw inspiration from Arab poetry. Through a large selection of stone sculptures as well as paintings, drawings and works on paper inspired by the Palestinian poet Mahmoud Darwish and Syrian poet Adonis, the exhibition will cultivate a nuanced understanding of Saudi’s approach to notions of growth, fertility and the body.
A Tripoli Agreement
24 February–26 May 2018
A Tripoli Agreement launches the new Air Arabia Curator-in-Residence programme, a collaboration between Sharjah Art Foundation and Air Arabia. The programme’s first curator-in-residence is Renan Laru-an (b. 1989, Sultan Kudarat, Philippines).
Featuring artists and cultural producers from across the region, the research project and exhibition will explore notions of disagreement, (mis)understanding and unacceptable demands. During his residency with the foundation, Laru-an’s research will entail travel from Sharjah to a number of other Air Arabia destinations, including planned trips to Beirut, Casablanca and Istanbul to research the conditions before and after the 1976 peace agreement between the Philippine government and the Moro National Liberation Front (MNLF).
Latif Al Ani
16 March–16 June 2018
Latif Al Ani (b. 1932, Baghdad, Iraq) was one of the first photographers to capture cosmopolitan life in Iraq from the 1950s through the 1970s. His photographs represent a unique visual record of the country’s complex culture, politics and industry during a period in which everyday life was increasingly influenced by urbanisation.
Spanning these pivotal three decades of Al Ani’s photography, this solo exhibition traces the progression of his life both in Iraq and throughout his travels. The exhibition also includes photographs taken while Al Ani worked for the Arabic-language magazine Ahl Al Naft [People of Oil] as part of the Iraq Petroleum Company (IPC) and during the period he served as head of the photography department at the Iraq Ministry of Culture and head of the Iraqi News Agency.
16 March–16 June 2018
Born in Cairo to an Egyptian Armenian family, Anna Boghiguian’s (b. 1946, Cairo, Egypt) work reflects the itinerant life she has led across the globe, travelling to various countries including Canada, France, India and Italy. A consummate chronicler of modern metropolitan life, her dense compositions—whether two-dimensional pieces or room-size installations—combine diverse materials, including wax, wood, paint, cut-outs and collage.
As the artist’s first major retrospective to date, the exhibition spans over four decades of Boghiguian’s practice. The presentation will focus on six substantial bodies of work: the multimedia installations The Salt Traders (2015), A Play to Play (2013) and Unfinished Symphony (2011–12); the drawing series Cavafy (1995–2017); a large selection of illustrated notebooks (1981–present) and a recreation of the artist’s studio in Cairo.
The exhibition was originally on view this autumn at Castello di Rivoli Museo d’Arte Contemporanea, where it was curated by Carolyn Christov-Bakargiev and Marianna Vecellio.
The Sharjah presentation of this travelling exhibition is co-curated by Al Qasimi and Christov-Bakargiev and is organised by Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino in conjunction with Sharjah Art Foundation.
Mohammed Ahmed Ibrahim
16 March–16 June 2018
Mohammed Ahmed Ibrahim (b. 1962, Khor Fakkan, UAE) has been a principal contributor to the development of contemporary art in the UAE. Best-known for his explorations into land art, he has been inspired by his lifelong relationship with the environment of Khor Fakkan, a town in the United Arab Emirates which is surrounded by the Gulf of Oman on one side and the Hajar Mountains on the other. His work often utilises organic material or form and explores an interest in the relationship between nature and urban development.
Through paintings, drawings, sculptures, installations and documentation, the exhibition will trace the development of Ibrahim’s practice and its enduring influence on contemporary art in the UAE.
16 March–16 June 2018
Zineb Sedira (b. 1963, Paris, France) is recognised internationally for her explorations of family, tradition, oral history, migration and the intergenerational transmission of knowledge. Although these concerns have recently come to wider public attention, they have long been the focus of Sedira’s work in video, photography, sculpture and installation.
This survey will include Sedira’s best-known works such as Image Keepers (2010), The End of the Road (2010) and Saphir (2006), as well as Mother Tongue (2002), which portrays the struggle to find a common language among three generations of women raised in Algeria, France and the United Kingdom. Three new commissions, titled Sunken Stories, Air Affairs and Laughter in Hell, will engage geo-political histories of the recent past.